Updated daily. Set times move, call the venue when it matters.
This is a comedy debate show where being wrong is apparently the whole point, staged in The Box Annex, the smaller sibling space to one of Downtown's more reliably weird venues. The format rewards the crowd as much as the performers, so sitting close and being willing to participate will get you more out of...
Arkansas songwriter Adam Faucett brings his raw, worn-in folk-blues to a triple bill at the Moonlight Lounge, with local acts William Blackart and Chip Begay opening. The Moonlight runs small and close, which works in everyone's favor here since Faucett's songs land harder when there's nowhere to hide from them. Tickets are through Hold My...
Albert Castiglia plays the kind of blues that doesn't sit still, built on years of touring with Junior Wells and a catalog that keeps getting harder and less polite. FUSION 708 is a compact room, which works in your favor here because there's nowhere to hide from a player this loud and present. Tickets are...
Adam Hooks takes the stage at Tractor Brewing's Westside location, the taproom that has quietly become one of the more reliable spots for local and regional singer-songwriters on the Central corridor. The room is small enough that there is no bad seat, and Tractor's house sound tends to be dialed in better than you'd expect...
Ron Crowder brings his new album, Moving at the Speed of Life, to FUSION 708 for a proper release show on Central. FUSION 708 is a small room, which means the sound hits closer and the crowd energy reads immediately, so this kind of night either locks in fast or fizzles, and Crowder's local following...
Three heavyweights of postwar blues harmonica and guitar share a stage for a CD release night at FUSION | 708, which puts this closer to a recording-session atmosphere than a standard bar gig. Anson Funderburgh has been one of the most respected Texas blues guitarists since the early eighties, and Junior Watson's phrasing is the...