Updated daily. Set times move, call the venue when it matters.
Fraxiom is one of hyperpop's sharpest and most genuinely weird voices, the kind of artist whose live set tends to feel less like a concert and more like a system overload in the best possible sense. JUNO's cafe-brewery hybrid layout means the room can get loud and close fast, so arriving early matters more here...
Barely Alive is one of the more technically precise acts in the deathstep and riddim space, known for tracks that hit harder than the genre average and a live mix that rewards a good sound system. Effex runs a solid setup for a club this size, and the room gets genuinely loud on a bass-forward...
REAPER plays a heavy, bass-forward set drawing from drum and bass, drumstep, and dubstep at one of the few Downtown venues on the corridor that actually has the sound system...
Keller Williams builds full-band sounds entirely by himself, layering guitar, bass, beats, and vocals live on stage through a looping rig he's been refining for decades. The KiMo's acoustics reward...
Jesse Cook brings his flamenco-influenced acoustic guitar work to the KiMo, a 1927 Pueblo Deco landmark that remains one of the better mid-size listening rooms in the Southwest. The sightlines...
International Guitar Night brings together four acoustic soloists from different corners of the world, each performing their own set before joining for collaborative finales that tend to be the real...
Karen Rontowski runs a standup set built around her actual background as a psychic, folding tarot pulls and live audience readings into the comedy rather than treating them as a...
RuPaul's Drag Race fan favorite Crystal Methyd takes over the KiMo with The Enchanted Forest, her signature blend of theatrical drag, original music, and deeply weird costuming that resists easy...